Yara Wereik believes movement can be inspired by anything. Trained at the Bolshoi Academy and later performing with theatres in Moscow and Barcelona, she has always sought ways to let dance slip beyond its traditional frames. Her career spans classical ballet, contemporary collaborations, international modeling, and cross-disciplinary performance, where she often imagines herself stepping into
‘When I respond to a painting or installation, I imagine myself stepping into its world, becoming a figure that has slipped out of the canvas or risen from the materials. Through performance, I try to give the artwork breath and pulse, allowing it to unfold as a lived, fleeting encounter’
‘Musical Tea’ Performance artist and artist in residence at The Adelaide Salon Isobel Smith and musician Foz Foster will delight your senses by means of a magical silver teapot. The delicious musical brew is designed to be poured straight into your ear, leaving you refreshed and enchanted
Aisling Zambon ‘We Are One’ a durational performance, offering a participatory one to one experience with the artist, inviting the public to take part for several minutes. Playfully exploring the concept of universal consciousness, identity and the self.
This piece aims to provoke self-reflection and awareness of our identity, mortality and interconnectedness.
Disrupted Rhythms reframing rhythm as the deep structure of social and psychic life. Their work—film, improvisation, rupture—echoes the Surrealist method of dépaysement: estranging the everyday through displacement and interruption. Where rhythm repeats, they fracture it; where pattern holds, they rupture it. Out of this disruption emerges the uncanny cadence of psychic life, a reminder of Breton’s claim that the marvellous erupts precisely at the fracture of the ordinary. Rhythmanalysts: Director, Producer, Writer: Bradley Tuck, Composer: Nick Hudson, Live Improvised Violin: Lizzy Carrey, Performers: Nuria Castro, Marc Muir, Bella Franks, Jia Jimenez, Ines Pissarro, Jojo Denovan, Liv Sangster, Maria Adriana, Emmanuel Foxylion, Lilith Newson, Bradley Tuck, Eloise Pannett, Connie Finney, Kim Angelica Head, Leon Simmonds, Marta Hereu.
​
James Joshua Li (b. Hong Kong, 1994) is a figurative painter and musician based in Brighton, England. His paintings and albums investigate the post-colonial legacy of Hong Kong and the collective nostalgia for an imagined version of a city.
His first solo exhibition, Blue Stigmata, presented an imagined post-colonial version of Hong Kong, alluding to late social theorist Mark Fisher’s personal understanding of Hauntology, and questioned the identity-protecting hoods of the territory’s Common Law system.
In 2024 Li released Grieftopia, a cello-fronted album about colonialism’s involuntary subjects and grief. He has condensed his past nine years of work under the Ministry of Interior Spaces moniker into a live performance mixing music, field recordings and noise.
​
The Scorehouse is the music / sound design production house and studio set up by Tim Lea Young (also known as M3ON), a composer-musician and artist living and working in Brighton, UK.
Predominately a pianist/ composer/arranger, alongside Mixing / Mastering / Recording services, he has scored numerous films and prolifically writes music for television and production music companies. He has previously been involved as a synth player/ producer on some UNKLE releases amongst many others.